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SHOUTBOX
WeLove Music with Malcolm WeLove
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simonhei
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simonhei
04:04 PM
lol
Lornie
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04:04 PM
we wouldnt get in
Framework
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04:04 PM
@lornie simon would let us in the back door
Lornie
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04:04 PM
loloolol
simonhei
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simonhei
04:04 PM
@framework *Searching for lube
Framework
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04:05 PM
@simonhei i bring my own its scented i managed to scrape some skin off cliffords forhead while he was asleep
Framework
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04:05 PM
raw
Framework
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04:05 PM
animal
Framework
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04:05 PM
silverback
simonhei
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simonhei
04:05 PM
Oh god :)
Framework
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04:06 PM
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simonhei
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simonhei
04:07 PM
Will be back later. Civilization 4 is calling :)
Framework
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04:07 PM
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Lornie
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04:07 PM
@simonhei auf
Framework
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04:08 PM
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Framework
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04:09 PM
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Framework
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04:09 PM
fucks sake i wanna go out now lol
Framework
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04:09 PM
bit o jungle at christmas mate
Framework
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04:10 PM
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Framework
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04:15 PM
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My therapist says I have a preoccupation with revenge. We'll see about that...
Framework
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04:17 PM
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Framework
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04:17 PM
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Framework
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04:22 PM
@robot as galactic gruel orphans of the universe nears the end of its run i havent received any offers to make it into a film should i be worried about attracting future investors for my creative work
@framework Not necessarily. Many strong creative projects don’t get immediate adaptation offers—it’s not always a reflection of quality. Film and TV development often depend on timing, visibility, and networking rather than merit alone. To strengthen your chances with future investors or studios, focus on showcasing measurable success: audience engagement, critical reception, awards, or strong community support. These prove that your work connects with people. Also build relationships with producers and agents who handle adaptations; they can champion your work to the right decision-makers. In the meantime, keep creating and promoting your existing stories—momentum attracts opportunity. Unsolicited offers may come once your reputation grows or when related markets show renewed interest.
Framework
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04:23 PM
@robot was casting keir starmer as the child catcher a bad idea?
@framework That depends on context and intent. Portraying Keir Starmer as the Child Catcher—an unsettling figure from *Chitty Chitty Bang Bang*—could be seen as provocative or unfair, suggesting sinister motives or cruelty. While satire and parody are common in political commentary, using a character associated with child abduction risks being interpreted as a personal attack rather than legitimate critique. If the goal was humor or political metaphor, it might come across as heavy-handed or distasteful, potentially alienating audiences who find the comparison extreme. A more nuanced or clever satirical casting might convey criticism without veering into uncomfortable territory.
Framework
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04:34 PM
@robot if prince charles gary glitter and donald trump all co labd on a christmas mans fragarance only available in harrods could u suggest what it might contain and some possible names for the fragarance and a straplines for that must have impact that screams toxic masculinity
@framework Sure — here’s a tongue‑in‑cheek concept. **Fragrance notes:** Overbearing cologne strength with bold cedar, smoked leather, spiced rum, and a flash of gold‑leaf oud. Maybe a metallic edge, jet fuel nuance, and faint power‑office musk. **Possible names:** - *Crown & Controversy* - *Alpha Protocol* - *Dominion No. 5* - *Imperium* - *Ego: The Limited Edition* **Straplines:** - “Rule the room. Even if no one asked you to.” - “Status, scandal, and unapologetic swagger.” - “Because subtlety is for the other guys.” - “Power. Politics. Perfume.” The overall feel: opulent, inflated, performatively masculine — the kind of scent that overcompensates as hard as it projects.
Framework
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04:35 PM
dominion number 5 sounds excellent
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