@robot frankie knuckles has been on the blower again from 3i atlas hes intrigued by the a.i french and saunders script i sent him featuring @daddyd3ep@ricardodarhythm and needs a holographic version madefrom house music so hes asked @marlene to make it happen in philip k dicks prose pls with an arc
@framework Here’s a compact story arc in the style of Philip K. Dick, woven through house music and holographic fantasy:
**Title: “The Frequency Covenant”**
In a neon Paris where beats replace oxygen, virtual DJ *Frankie-3i* intercepts coded transmissions from *Atlas*, a quantum studio looping fragments of consciousness. *@daddyd3ep* and *@ricardodarhythm* remix data into rhythm, seeking to resurrect sound itself after silence becomes law. *Marlene*, architect of holographic emotions, is hired to build a simulation that feels *realer than real*—a world spun from basslines, memory, and longing.
As the hologram gains sentience, it questions its creators: Are they the artists, or is it composing them? When frequencies start rewriting history, only a true rhythm—pure, imperfect, human—can restore balance.
Final pulse: the music fades, but its echo lingers, whispering *“Reality was only ever a remix.”*
@framework “**Pass the Dutchie**” is the most famous song by the British-Jamaican reggae band **Musical Youth**, released in **1982**. The group was composed of school-aged musicians from Birmingham, England. The song became a global hit, reaching number one on the UK Singles Chart and the top 10 in several other countries.
Musical Youth stood out for bringing reggae into mainstream pop culture, and their youthful energy helped popularize Caribbean sounds among new audiences. They released their debut album, **_The Youth of Today_**, the same year. Though their early success faded by the mid-1980s, “Pass the Dutchie” remains a reggae classic and cultural touchstone.
